Lingscheit made “Timepiece” during a residency in St. John’s, Newfoundland. Courtesy Emmy Lingscheit
“Occupied Land” shows the Central Illinois landscape as it has changed over millennia. Courtesy Emmy Lingscheit
custom-facebook-feed domain was triggered too early. This is usually an indicator for some code in the plugin or theme running too early. Translations should be loaded at the init action or later. Please see Debugging in WordPress for more information. (This message was added in version 6.7.0.) in /export/NP/L/staging.web.faa.illinois.edu/secure/illinois-faa/web/wp/wp-includes/functions.php on line 6121acfe domain was triggered too early. This is usually an indicator for some code in the plugin or theme running too early. Translations should be loaded at the init action or later. Please see Debugging in WordPress for more information. (This message was added in version 6.7.0.) in /export/NP/L/staging.web.faa.illinois.edu/secure/illinois-faa/web/wp/wp-includes/functions.php on line 6121University of Illinois printmaker and art professor Emmy Lingscheit uses her work to investigate human-environment relationships, deep time, and the overlap between ecological and social justice. Her exhibition Contingencies: Navigating a World of Accelerating Change (on view until October 3 at the University YMCA) features lithographs, comics, and zines exploring climate change, migration, extinction, and mutual care among species. Highlights include Timepiece - depicting icebergs and oil tankers to trace historical impact, and works like Boil reworking Hokusai’s wave to confront industrial damage. Her Queer Reproduction series weaves personal experience into depictions of diverse reproductive strategies in nature, challenging normative views.
“How to Travel to the Future” represents a feeling of rest and repair. Courtesy Emmy Lingscheit
Lingscheit made “Timepiece” during a residency in St. John’s, Newfoundland. Courtesy Emmy Lingscheit
“Occupied Land” shows the Central Illinois landscape as it has changed over millennia. Courtesy Emmy Lingscheit